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Ben-Hur

April 22nd 2009 05:18
Ben Hur was made back when going to an epic movie was an international event. Great spectaculars were made with real people, mind-boggling sets and casts of thousands, long before digital special effects made them all obsolete.

Epics were shown on gigantic screens in palatial movie houses, often with overtures and intermissions, and a really big movie was a cultural experience that everybody knew about. There’s no better example of those bygone days than 1959’s Ben Hur, a biblical sword-and-sandal epic that has it all – including a breathtaking, absolutely real chariot race.

Ben-Hur


The Plot

After a prologue of the birth of Christ, the movie begins in Judea, where we meet the handsome Roman Messala, a childhood friend of Judah Ben Hur (Charlton Heston) who is now determined to rule the conquered land of Judea with an iron hand. Ben Hur, a Jewish prince, is wealthy and influential, and Messala asks his help in persuading the locals against rebellion – but he resists.

As the new Roman governor arrives to take power, Ben Hur and his sister are watching from their rooftop and accidently dislodge a tile. The governor’s horse starts, he falls and is gravely injured. Ben Hur, his mother and sister are arrested and unjustly condemned, and Ben Hur swears vengeance against Messala.

Based on the novel by Lew Wallace, the story sweeps across the ancient world as Ben Hur struggles as a Roman galley slave, survives an epic sea battle, rescues a high Roman official, wins his freedom, seeks his mother and sister and pursues Messala. His beloved Esther, a former slave, provides the moral center as Ben Hur’s life interweaves with that of Jesus Christ, whose story is told with reverence and passion.

Highlights

The sea battle is gripping, despite effects that don’t quite measure up today (and despite the fact that there really weren’t any galley slaves at the time of Christ – that came later. Roman sailors at the time were actually paid).

The climactic chariot race, staged in a huge amphitheater, is still thrilling as Ben Hur and Messala face each other at last. See it on the biggest screen you can find, with a good sound system. Pounding hooves, terrifying stunt work and great direction make it one of the greatest sequences ever put on film. (There is long-standing urban myth that a stunt man died during the filming, but everyone connected with the movie denies it.)

The Cast of 'Ben Hur'

Heston was way down the list for the role (Paul Newman famously said he didn’t have the legs for it, and even Cary Grant was considered). Heston’s a little over the top for my taste, but he sure did have the bone structure for those close-ups. And he looks great in costumes ranging from elaborate robes to an almost non-existent loincloth.

In fact, in a movie where the women are quite modestly covered, gleaming male six-pack abs and strong, manly legs are everywhere in this film. Whether they’re Roman athletes getting oiled down at the gym, or half-naked slaves pulling galley oars, there’s plenty of eye candy, not to mention whips and chains.

How did all this homoerotic imagery get into a biblical epic, the first movie that was actually blessed by the Pope? Well, much of it is standard, sword-and-sandal fare. However, Gore Vidal was brought in as a script doctor, and wrote much of the script. He says he suggested to director William Wyler that there was no motive for the hatred between the two boyhood friends – unless it was Messala’s unrequited love for Ben Hur. Wyler said for years that the whole thing never happened; see what you think.

Stephen Boyd is fine as Messala, and Jack Hawkins delivers a workmanlike performance as Quintus Arrius, the Roman Ben Hur saves. Hugh Griffith is a bit wince-worthy in heavy makeup as a stereotypical Arab sheik, and Haya Harareet is lovely as Esther.

The real stars of this film are the page-turning story with its improbable twists and the jaw-dropping sets, from the lavish Roman interiors to the stunning Circus Maximus.

The Bottom Line

Devout Christians may find special meaning in the movie, with its heart-rending re-telling of the crucifixion and message of hope, faith and redemption.

Movie lovers of all stripes will want to see it for its sweep, artistry, history and plain old movie magic. They really don’t make them like this any more.

Made in a special wide-screen format, it was the most expensive film ever made at the time, and every penny shows on the screen. Ben Hur hoovered up eleven Oscars, a record that stood alone for forty years until Titanic came along and tied it.

Just the Facts:

Year: 1959, Color
Director: William Wyler
Running Time: 212 minutes
Studio: MGM
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Close Encounters Of The Third Kind

February 20th 2009 06:03
An awe-inspiring combination of terrific special effects and warmly human story-telling, Close Encounters of the Third Kind holds up beautifully after more than 30 years.

The phenomenal success of his thriller Jaws allowed Steven Spielberg to make an expensive movie near and dear to his heart. Close Encounters is no ‘50s alienation piece with cold and pitiless invaders, but an inspiring film about humankind’s contact with friendly aliens and a really, really big spacecraft.

The Plot

As the film opens, strange phenomena occur across the globe. Fighter aircraft from World War I suddenly appear in a Mexican desert, untouched by age. A long-lost Russian tanker is found in the sands of the Gobi. The inhabitants of a village in northern India sing a haunting tune and point as one to the sky as its source.

People across the United States see strange lights in the sky and are "sunburnt" by a sort of cosmic invitation that etches an image in their minds, along with an obsessive urge to find it. The invitees include lineman Roy Neary (Richard Dreyfuss), single mom Gillian Guiler (Melinda Dillon) and her adorable son Barry, whose huge eyes and upturned nose make him look like a little alien.

Close Encounters Of The Third Kind


Government goons attempt to cover up the alien encounters, and concoct a devious plot to keep people away from any alien landing site. Meanwhile, French UFO scientist Claude Lacombe (Francois Truffaut) deciphers the haunting melody as an attempt to begin a conversation with our counterparts from the stars.

The landing site is of course Devils Tower in Wyoming, which poor Roy has been sculpting out of mashed potatoes, shaving cream and a half-ton of mud dumped into his living room, which doesn’t sit well with his wife and kids. He and the similarly obsessed Gillian (the aliens have abducted Barry) foil the government’s attempts to keep them away. They witness the breathtaking visit of the mothership and a joyous musical conversation as the scientists use a big lighted keyboard, like a giant toy xylophone, to talk back.

The Cast of 'Close Encounters of the Third Kind'

Dreyfuss is wonderful as the normal Midwest dad suddenly thrust into an obsession that makes him doubt his own sanity, and Teri Garr is sweet as the wife who tries to understand - at least at first. Dillon, who can play vulnerable, sensitive, strong and scared all at the same time, does a great job reacting to thin air when the special effects would be filled in later. The scenes of the early alien visits to her house are both terrifying and slyly funny.

Truffaut is great fun as the UFO hunter, with Bob Balaban as his dogged interpreter, who also figures out the coded alien message that leads to the landing site. There’s an enormous, globe-spanning cast, and some of the best moments in the film come from the unknown actors who populate the various UFO visitation sites.
Special Effects

This movie is all about special effects, and was way, way ahead of its time. The mothership is a glorious confection of globes and towers, its enormity conveyed in light, shadow and sound. The various smaller UFOs buzzing about, the shadows of great spaceships passing silently overhead, and the violent roiling of the clouds when the mothership appears are all spellbinding.

As good as the mega-effects are, the small moments connect, too. The doors flapping on the row of mailboxes when a UFO pulls up behind Roy’s truck. The floating chaos in the truck cab as all the objects within lose touch with gravity. Barry’s wind-up toys suddenly whirring to life, clashing and clanking. It’s eerie and wonderful all at once, and full of thrilling little popcorn scares.

The Director

In an interview accompanying the 30th anniversary edition, Spielberg says he was more likely in 1977 to believe in government suppression of the evidence for UFOs than he is today. The special edition presents all three versions of the film – the 1977 theatrical release, the 1980 special release with footage of Dreyfuss entering the mothership, and the 1998 special edition director’s cut, which takes those scenes back out again.

Backstory

Close Encounters of the Third Kind is a lyrical, intensely felt film that provokes a sense of wonder, discovery and awe at our place in the universe. Visually stunning, expertly told and deeply human, it stands the test of time as a classic of science fiction and adventure.

Year: 1977, Color
Director: Steven Spielberg
Running Time: 135 minutes
Studio: Columbia
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To Kill A Mockingbird

February 1st 2009 09:21
The movie gets it's title from a quote by one of the main characters, Atticus Finch: “It's a sin to kill a mockingbird.”

Set in a small Alabama town during the Great Depression, To Kill A Mockingbird raises great questions of racism, poverty, ignorance and injustice with enormous grace and emotional power. Moral and deeply humane, the movie is a classic coming-of-age story of childhood innocence lost in the segregated American south.

The Plot

In hot, dusty Maycomb County, lawyer Atticus Finch (Gregory Peck) takes on the case of an innocent black man accused of assaulting a white girl. He’s up against the entrenched racial power structure of the Old South, fierce taboos against interracial sex, and the pride of the girl’s impoverished and violent family.

The story is told from the perspective of Finch’s daughter Scout (Mary Badham, whose character narrates the film in flashback), her brother Jem and their friend Dill (modeled on author Harper Lee’s childhood friend, writer Truman Capote.)

To Kill A Mockingbird


The children are fascinated by the decaying old Radley place, where Boo Radley (Robert Duvall in his film debut) is a recluse. A grown man who has not left the house for years, Boo is a bogeyman to the children, until he begins to leave them small gifts at the risk of displeasing his abusive father.

Hounded at school because their father is defending a black man, the children watch the trial from the blacks-only balcony of the courtroom, and begin to see Atticus in a new light. Both they and their father are put in real danger as the trial progresses, and the two story lines come together as the tension rises.

The Cast of 'To Kill a Mockingbird'

Peck plays a hero who’s such a perfect human being he’d be a little hard to believe if not for Peck’s forthright, understated performance. He’s intelligent and modest, a softspoken man of unquestionable integrity devoted to the cause of justice. He’s also a devoted single father and the best shot in the county. It’s a good thing the studio’s original pick for the role – Rock Hudson – didn’t work out. Peck won a well-deserved, long-overdue Oscar.

Badham, delightful as the willful tomboy Scout, was nominated for her amazingly natural and engaging performance, but lost the Best Supporting Actress Oscar to Patty Duke as Helen Keller in The Miracle Worker. Brock Peters is wonderful as the falsely accused Tom Robinson, terrified, but clinging to his own pride and the truth. A terrific ensemble cast brings the entire town to life with a great sense of place. And although Duvall has only a few moments of screen time as the damaged Boo Radley, he’s unforgettable.

Backstory

Beautifully shot in black and white, To Kill a Mockingbird is a masterpiece that everybody should see, and no serious movie collector should be without.

The film celebrates the power of innocence to turn back evil, but acknowledges that true justice is often impossible to reach. The great achievement of To Kill a Mockingbird is its unsentimental appeal to what Lincoln called “the better angels of our nature.” It shows us who we want to be, and who we deserve to be, even when we fail.

Year: 1962, Black and White
Director: Robert Mulligan
Running Time: 129 minutes
Studio: Universal
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Casablanca

February 1st 2009 07:08
Casablanca is a great romance, a stirring wartime adventure, a suspenseful action movie, and in the end, a terrific buddy movie. It’s listed again and again on the top ten lists of critics and fans alike. Its snappy lines are repeated by movie buffs the world over. All in all, a great movie.

The Plot

World War II has engulfed Europe, reaching all the way to Rick Blaine’s Café Americain in French-held Morocco. The Nazis have overrun France and are heading into its unoccupied possessions in Africa, and all kinds of people are trying to escape them by way of Casablanca.

The plot revolves around “letters of transit” that will provide safe passage by air to Lisbon, and then to America, a rare and precious commodity indeed. And even though Blaine (Humphrey Bogart in his first romantic lead) is an embittered expatriate who would prefer to sit out the war in his café, the tightening conflict eventually forces Rick, and everybody else, to take sides.

Casablanca


The Cast of 'Casablanca'

Bogart is wonderful as the mysterious café owner with a past, set up in the nightclub business with his longtime friend and piano player, Sam (Dooley Wilson). As we meet his employees, we see Rick’s not quite the cynic he pretends to be. All are clearly refugees under his protection. The emotional Russian bartender, the polished French croupier, the grandfatherly German waiter, and of course, Sam, make Rick’s café the only place to be.

His haven is disrupted when his one-time love Ilsa (the luminous Ingrid Bergman) arrives in the company of a world-renowned resistance leader Victor Laszlo (Paul Henreid), whom the Nazis would very much like to get their hands on. She’s looking for safe passage, first from Rick, who believes she jilted him for Laszlo, and then from the marvelous Sydney Greenstreet as Signor Ferrari, the owner of the rival Blue Parrot.

Claude Rains nearly steals the movie as Captain Renault, the deliciously corrupt prefect of police, who accepts money and the favors of especially lovely refugees to arrange escapes. Peter Lorre (Ugarte) runs a cut-rate smuggling trade, and Conrad Veidt is a first-rate Nazi villain.

Bogart and Bergman shine in their only screen pairing, but it’s the flawless direction and ensemble cast that make this movie, from the nameless pickpocket in the opening sequence to the elderly Jewish couple earnestly fracturing English phrases as they prepare for the passage to America. With just a few spare lines of dialogue, a glimpsed gesture, a few moments of screen time, the characters are fully sketched, and Rick’s café seems very real.

Backstory

A big-budget film for its day, Casablanca was shot almost entirely on sound stages and the studio lot. Based on the unproduced play “Everybody Comes to Rick’s,” the screenwriters essentially made the story up as they went along, and no one knew exactly how it would end – which may have added to the film’s very real suspense and freshness. In fact, the famous last line of the film wasn’t even recorded until three weeks after shooting ended.

As every review of Casblanca is required to note, nobody in the film ever actually says the infamous line: “Play it again, Sam,” in reference to Rick and Ilsa’s song, “As Time Goes By.” Both characters ask Wilson to play the song, but never use those precise words. Nevertheless, the misquote abounds, and was cast in cement by the 1972 title of Woody Allen’s film, Play it Again, Sam.

The Director

Hungarian-born Michael Curtiz stitched together Casablanca’s complicated plot with a sure hand, and won the Best Director Oscar. The movie is clearly a metaphor for American involvement in World War II, which may have had something to do with Curtiz’s European beginnings and the political leanings of the writing team. (Although Curtiz left Europe long before the rise of the Nazis, some members of his family died in Auschwitz.)

While he made other well-regarded films such as Mildred Pierce and The Sea Wolf, Casablanca is undoubtedly his master work.

Casablanca is thrilling on the first viewing, and so richly textured it rewards watching over and over. The dialogue is clever, touching and dryly funny by turns, utterly irresistible. See it once, and then see it again.

Year: 1942, black and white
Director: Michael Curtiz
Running Time: 102 minutes
Studio: Warner Brothers
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Gone With The Wind

February 1st 2009 04:46
1939 Is arguably the year of the greatest number of all time classic movie releases of all time. The greatest of them is, perhaps, Gone With The Wind.

The classic American epic, Gone With the Wind sweeps across the Old South, the Civil War and Reconstruction. The tale of a selfish, headstrong Southern belle who draws her strength from the land, it’s a consuming costume drama and a richly entertaining movie.

By today’s standards, Gone With the Wind occasionally lapses into outright melodrama, and its often-stereotypical 1939 portrayal of black people rankles modern viewers. Despite the flaws of its time, this star-studded, big-budget spectacular is an icon of American filmmaking, and not to be missed.

Gone With The Wind


The Plot

The film is reasonably faithful to Margaret Mitchell’s only blockbuster best-seller, and follows the adventures of Scarlett O’Hara (Vivian Leigh in her debut role). Stunningly beautiful and utterly self-absorbed, Scarlett is the daughter of plantation owner Gerald O’Hara, and secretly in love with neighboring plantation owner Ashley Wilkes (Leslie Howard). Ashley, meanwhile is pledged to his sweet-tempered and lovely cousin, Melanie (Olivia De Havilland).

The movie opens with a flowery description of the Old South as the place where “gallantry took its last bow,” and “a dream remembered, a civilization gone with the wind.” On the eve of the Civil War, the wealthy families gather for a party at the Wilkes’ plantation, Seven Oaks, where Scarlett first catches sight of Rhett Butler (Clark Gable). This rakish and slightly disreputable gentleman is clearly interested in the pampered southern belle. He is also the only man there who understands the North will overpower the South in the conflict to come. And that very night, war is declared.

Rejected by Ashley, Scarlett impulsively marries Melanie’s brother Charles, tying the two families together before Charles goes off to war (where he promptly dies of pneumonia). We follow the indomitable Scarlett through the ravages of war, her reluctant protection of Melanie, the fall of Atlanta, the ruin of Tara and near-starvation. Then it’s another marriage and her plucky and scandalous behavior during Reconstruction. She relies on Rhett throughout, but continues to reject him and cling stubbornly to her belief that she loves Ashley.

The Cast of 'Gone With the Wind'

Leigh didn’t land the role until after filming had begun. In fact, she signed on the day the famous burning of Atlanta was filmed, using an actual conflagration of old sets on the studio’s back lots. A stunt woman played Scarlett in the fire scenes. The young English actress was an excellent choice for the selfish, scheming Scarlett, a delicate beauty with a will of iron. She’s hard to like, but she must be admired.

Gable is irresistible as the rake with a heart of gold and his own admirable code of honor. His confidence and easy masculinity so far overshadow the pale attractions of Ashley Wilkes that Scarlett’s continued devotion strains credulity.

De Havilland is strong as the almost too-saintly Melanie, and Howard is just the right sort of weak tea as Ashley. Hattie McDaniel almost walks away with the movie as Mammy, the family servant who sees through Scarlett’s schemes and has more life and zest in her little finger than half the genteel household. She was the first African American nominated for an Oscar, and the first to win one, as Best Supporting Actress. By contrast, Butterfly McQueen’s squeaky-voiced turn as the simple-minded Prissy has become the stuff of parody, especially her “I don’t know nuthin’ ‘bout birthin’ no babies” line.

With more than 50 speaking roles, keeping all the characters straight is a daunting task, but the huge cast adds to the scope of the story. The lush score by Max Steiner, detailed sets and sumptuous costumes, superb art direction, and gorgeous Technicolor cinematography by Ernest Haller round out the sweep of this epic film.

The Backstory

Years in the making, at $4 million it was one of the most expensive films ever made, and it held the record as highest-grossing movie for many years. Although that record has since been eclipsed, Gone With the Wind is still the box office champ for most theater tickets sold.

It won the Best Picture Oscar in one of the most creatively competitive years ever seen in Hollywood. Other movies released in 1939 included Ninotchka, Stagecoach, Wuthering Heights and Goodbye Mr. Chips. Incredibly, the former stunt man who directed Gone with the Wind, Victor Fleming, is also credited with the other immortal classic released in 1939: The Wizard of Oz.

It’s a little overblown, with attitudes that are more than a little dated, yet Gone with the Wind is justly famous. Mostly for the better, and sometimes for worse, this epic movie is a uniquely American story.

Year: 1939, Color
Director: Victor Fleming
Running Time: 222 minutes
Studio: MGM
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JOHNNY DEPP IN PUBLIC ENEMIES

November 29th 2008 14:32
He's been a pirate, a drug dealer, a writer, a scissorhand, a barber and a gangster...

johnny depp public enemies

Johnny Depp in Public Enemies, released summer 2009.
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STAR TREK MOVIE - TRAILER

November 19th 2008 12:41
star trek movie
Exciting stuff for all the fans out there, but really, for all the other movielovers as well. J.J. Abrams is directing this epic (hopefully) filmversion of Star Trek, and the trailer has been out for few days now. Looks good. Yea. Looks interesting and fresh, whatever that means.

Seriously, I love that it begins grounded in "reality" and continues into the sci-fi world we recognize. And most importantly, dear movielovers, it looks like something you don't have to be a fan of to enjoy.

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007: QUANTUM OF SOLACE - REVIEW

November 4th 2008 12:54
quantum of solace review
After much awaiting the new Bond movie, ever since the success of Casino Royale, I was finally able to see it this past weekend. And ever since the success of Casino Royale, a Bond movie never had as high expectations.It begins few moments after the last movie, with a wild car chase. Bond's Aston Martin is closely followed by an Alfa Romeo (some policemen even mention it's an Alfa Romeo, in case the audience didn't notice). Then the credits, with the new Bond theme, a fitting tune if you ask me. Then we get into the real story, where Bond meets girl, girl tries to kill Bond, and both ultimately end up in the same team. The villain is called Dominic Greene, an appropriate name for an environmentalist. His goal is to take control of a country's water supply in South America, which is what Bond tries to stop through a global hunt. But really, deep down, James Bond is out for quantum of solace, some personal comfort [definition].

This time, directed by Marc Forster, we get a different style than what we're used to. There's a lot of action, too much at times, and the editing is as if it was made by a hypochondriac. Think "Jason Bourne", but even more of that. It's fast paced and a lot of action. So much action that almost every scene ends up with someone being killed, or something in that direction. It's not bad, but unfortunately it causes the story to sore. Marc Foster is a great director, I genuinely enjoyed his other movies, like Finding Neverland or Kite Runner, but looking at his previous work, I can't see a single action flick. Maybe that's the problem. Like a little kid that hasn't had candy in ages drops head first into it when it's finally offered.

quantum of solace review

Performance wise it was as good as usual, nearly flawless. I was pleasantly surprised by the so called Bond-girl Camille who gave great likability to her role. There's a fire scene towards the end where we can see through her whole character. Of course the real credit for that should also go to writer Paul Haggis, who really knows how to translate emotions into pictures.

As for the villain, Mathieu Amalric, I can now understand why they didn't need any scars or something of that sort to make him bad, because he is incredibly creepy as it is. My only problem with him was he never used this creepiness in action. We never see him do anything bad or disgusting (other than pushing forward his evil plan with verbal threats), but on the other hand, there are moments when he acts like a wimp. I'm not sure that's so good.

It was refreshing to see Judi Dench as always, you can see she really enjoys her part, and Daniel Craig as well, who played a meaner, more straight forward Bond. Yes, I miss the "shaken not stirred" (his drink this time is a coctail of a whole different sort) and the cool gadgets, but there are so many other new things to balance that out and make me wait for later installments to see that stuff.

All in all, an entertaining time, maybe not all the way up there with Casino Royale, but very close. I still hope Marc Forster does another one, because having had Quantum of Solace as his first big action experience it could blow our minds, hopefully more metaphorically this time.

3.5/5


Watch the trailer of Quantum of Solace here.
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TROPIC THUNDER - TRAILER

July 17th 2008 13:31
Tropic Thunder downey
I thought I would share this trailer for Tropic Thunder with you, since I myself laughed really hard watching it. Love the characters and especially Robert Downey Jr. I can already smell comedic success.

Released 13th August.

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quantum of solace
As a fan of the latest installment in the 007 franchise, Casino Royale, it's really exciting to watch the new trailer for the up-coming Quantum of Solace.

Daniel Craig is James Bond once again, and this time he'll get personal while trying to revenge the death of his love. The villain is played by Mathieu Amalric, an immensely talented french actor. [IMDB]

Quantum of Solace is out November 7th 2008, but take a look at the trailer and let us know what you think.

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